Emerging Soultress, Ayelle And Talented Singer, Reece Release The Stunning New Single, ‘Break A Little’

‘Break A Little’ tells the story of two individuals separated by circumstances and self-destructive tendencies. Produced by Heavy Mellow (Halsey, Jhene Aiko, Juice WRLD) and written by Ayelle and Reece, the track is a deeply intimate and honest exploration of emotions underpinned by a trap-tinged beat and playful guitar motifs.  

Ayelle and Reece explain the meaning behind it, “It’s about that one that got away because you were too scared and too self-destructive, and the regret that comes with an unfulfilled love. It’s not unrequited but it never got to be fully played out, so you always wonder what if. There’s a different kind of heartbreak that comes with that.”

Have a listen to the single below, and let us know what you think:

UK Government Minister: “It’s Hard To See How Nightclubs Will Open”

A government minister has said that “it is hard to see how nightclubs will open” in the near future.

Speaking live on Sky News yesterday, Gillian Keegan gave no cause for optimism for the club community.

The Apprenticeships & Skills Minister and MP for Chichester said: “It is hard to see how nightclubs will open until we have some kind of long-term way to deal with coronavirus. That is for sure true.”

Her appearance on Sky News came as part of a government drive to re-skill workers in industries that have been devastated by the coronavirus pandemic, including the nightlife sector.

“It’s easy to see that nightclubs – which I’m sure we all enjoy going to – it’s difficult to see how you can have a nightclub operating with coronavirus. In any sort of enjoyable way,” Keegan said.

She added: “It’s difficult to see how you could go to a nightclub within the rule of six…how can you socially distance and have a good time in a nightclub?

“I think it is difficult to see how you could keep the coronavirus under control, indoors in those kind of situations which is why they haven’t been opened yet.”

The UK night time industry is worth £66 billion a year which includes nightclubs and live music venues, however the government has barely acknowledged clubs in its plans for economic recovery.

Talking to Sky, Gillian Keegan seemed to suggest that workers in industries that aren’t able to function during the pandemic simply find a new job.

“Today, we are introducing a new focus on adults which is just being able to offer people the chance to reskill, upskill, take different routes in life because they may need to,” she said.

“It is clear that some of those jobs may take a long time to come back because they don’t fit with the virus.”

In a speech on Tuesday, Prime Minister Boris Johnson said that the government would be “transforming the foundations of the skills system so that everyone has the chance to train and retrain.”

[Via the Evening Standard]

Q&A: Have You Met.. Idris Miles

 

Touted as one of the artists to watch for this year, Idris Miles has continual proven stage presence and rapping ability on numerous occasions already this year. Headlining at The Pit LDN’s showcase in East London’s Ace Hotel earlier in January, Idris now moves to a different stage at the 02 Academy Islington this Friday April 5th.

Idris took some time out to answer our short Q&A:

Tell us about yourself?

My name is Idris Miller a.k.a Idris (pronounced Eye-Dris) Miles.  I’m an artist and songwriter, based in Essex.  I was born around a family of musicians and artists, and I have always had a love for music from a young age, which led me to start writing songs  and poetry in school at 12 years old.

Things have been picking up for you recently, you’ve been nominated for an award, you’ve had more shows, how do you stay level headed and focused?

Yeah! To be perfectly honest, I’ve been enjoying the process so much. I’m around an amazing team who have been supporting and helping me make moves and the efforts are really paying off. I’m also hungry for more so that’s helping me keep focused and humble. There’s so much more to achieve and I’m aware of that now more than ever.

Do you produce your own beats, what’s your team like around you?

I produce from time to time but I also have some amazing producers around me too like, Ryan-J who has been my G from day! I also have some new music coming out soon with some amazing producers who I’ve wanted to work with for ages now so I’m excited. But like I said, the team I have right now is dope and we’re all progressing together like a family so it’s only a matter of time till we’re at the point of achieving big things.

Where do you take your inspiration? From you fashion sense, to your music

I think I subconsciously take inspiration from everything around me. It’s been a lifetime since I’ve said “Oh, I wanna do it like that guy” because right now I’m trying to establish myself as a brand and basically just be me… But saying that I also like to support designers and brands that are close to me such as AM By Anna Makri, Sarah Garfield , Josiah Amari.. I’m a fan of them all!

You’ve been working quite closely with The Pit LDN, how did that relationship come about, how have they helped your career so far?

Big up to the Pit every time! I went to one of their Cyphers back in 2016 and they’ve supported ever since, I can’t even express my gratitude as they’ve been responsible for some big milestones in my career including my headline show at Ace Hotel last year and my first ever Rinse FM radio play! Yeah big them up.

Check his performance for SoulMate LDN at London, Brixton’s Ritzy:

Which musicians do you look up to most in the UK or outside of it?

I love a lot of UK music at the moment, which actually makes me happy, it’s nice to see our culture on form and shining. People like Little Simz, Octavian, Kojey, A2, Che Lingo… Those are artists I look up to. Just pure talent and artistry in everything that they do! In terms of outside of UK? There’s so many names… Dreamville, Sevdaliza, Jacin Trill, Mick Jenkins, Goldlink, Tierra Whack… The list can go on!

To try and speak some things into existence, name three artists you love to collaborate with over the next couple years in the UK?

I WILL MAKE A SONG WITH A2 AND KOJEY RADICAL. That is all I will say, let the universe do its thing!

Finally, what can expect from your show at the O2 Academy Islington?

Just my essence, like in every show! Energy, emotion, passion… I love it! And I hope everyone that comes through enjoys it too! I’m just excited to achieve yet another great moment in my life and it will definitely show on stage!

Click here to buy tickets to his show at the 02 Academy Islington 

Check out the raw video to his track RUN:

First Thoughts: Intalekt – The Adventures of Masta Splinta

Last year saw Intalekt show off his versatility, putting pen to paper for a number of tracks on his debut release titled – ‘The Intervention’ alongside Geefree as The Billy Dukes (click here to read our review). Intalekt puts down the pen, to show off his production and arrangement ability with 10 tracks of seamless bliss. Intalekt is certainly not new to game with a regular show on Youth Led Radio station Reprezent Radio, and having worked with some amazing UK artists in Jacob Banks, Kojey Radical, Slicc Vicc, and Jay Prince to name a few, for his debut EP titled – It Is What It Is.

Earlier in February Intalekt dropped his first solo Album of the year titled – The Adventures of Masta Splinta. With his last album featuring a number of artists to provide the lyrics and vocals, this album puts Intalekt’s beats at the forefront for the first time. There’s a wonderful calmness throughout the album, and Intalekt seems to make heavy use of wind instruments and chiming bells which creates a beautiful meditative soundscape.

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The first track ‘Are We Safe?’ lays the foundations for the atmosphere of the whole album, as each track seamlessly blends into one another. Intalekt covers a range of subtle influences, ‘Hope’ has a similar stripped down, downtempo feel to late 80s American Hip Hop. Whilst the timely up-tempo claps in ‘Wolves’ is nicely layered with the guitar rift and percussion elements bouncing off it. The following track ‘We Move’ develops more of a head-nodding groove with the off-beat kicks against the claps, which builds nicely for the heavy bass kicks to inflate the track with energy midway.

If you are a fan of Hip Hop this album will definitely give you something to think about. On first listen you wouldn’t notice the subtle significant changes between tracks but its definitely album worth listening to more than once!

NEWS: Little Simz Teases New Album Release and Drops Visuals for New Single – Selfish

At only 24 years of age Little Simz has been grinding to push her voice through to the masses for a long while, and to have two award winning albums to her name is a more than impressive feat. Having remained independent for all of career she’s released music through her own label Age: 101. Easily speaking on her experiences of growing up in North London, and love so candidly has won her appreciation from some of Hip Hop’s finest in Kendrick Lamar and Jay Z.

With her third album titled ‘Grey Area’ on the cards this year, Little Simz released her new single ‘Selfish’, featuring vocals from Cleo Sol. ‘Selfish’ seems to open up a reflective yearn for self-love and value, as she describes drifting her focus back to herself. Cleo Sol accompanies the track subtly, as she eases back and forth to sing the hook graciously.

*This video is for promotional use only*

New Music: Theon Cross Drops Thrilling Preview Track To His Beckoning Album Release

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Theon Cross has grown tremendously since I discovered his first project; Aspirations. 2018 saw him pave ways and reach critical acclaim as a member of the brilliant group; Sons of Kemet, who released one of the best projects in jazz last year.

Now, with the release date of his new album (Fyah) set for February 15th ,Theon dropped the preview track; ‘Activate’. Moses and Nubya join Theon in a thrilling experimental piece, with the three seemingly flowing and bouncing off each other. Theon’s storming Tuba and Nubya pumping saxophone going back forth momentously, whilst Moses’ rolling drums sets pace is extremely wonderful to listen to.

Have a listen below and pre-order the album:

*SPOTIFY PLAYLIST UPDATE* STAND OUT SINGLES OF 2018

2018 has been a great year of music in the UK, particularly with independent artisits from the electronic and urban music scene. To celebrate, we’ve included some of our favourite songs of 2018 from the UK’s underground music scene.

Top UK Independent Album Releases of 2018

2018 has been a brilliant year of music for independent artists in the UK, and as always, the aim of Inspired Sound is to shed light on artists who may go a little under the radar, or a little over some people’s head. So, to celebrate some great releases, and to celebrate a little over a year of Inspired Sound we wanted to highlight some of our favourite album releases from the UK this year.

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Now, to narrow the choices we wanted to focus our attention on UK album releases only, and not singles or EPs. Generally, albums really highlight a more significant marker in an artists’ career and, whether it’s through beats or words, it can tell a more intimate picture of the artists’ current mood, thoughts, and influences. As ever, the platform has always tried to focus on independent artists, and the aim has always been to share good music which comes my way, no matter the genre. So, in no particular order:

Children of Zeus –  Travel Light

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The Magrehban – 01DEAS

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Kaidi Tatham – It’s All About You

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Louis VI – Sugar Like Salt

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The Expansions – Murmuration

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Manga St Hilaire – Outsiders Live Forever

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Kamaal Williams – The Return

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Moses Boyd – Displaced Diaspora

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Maisha – There Is A Place

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Blue Lab Beats – Xover

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Barney Artist – Home Is Where The Art Is

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Summers Sons – Uruhu

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First Thoughts: Steve Spacek – Natural Sci-Fi

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Lucid, eerie, reflective are just few words which spring to mind when I try to describe this album. There’s a wonderful melancholic feel throughout, which is set from the first track to the last track. Steve Spacek isn’t someone who needs much introduction, as if you’ve read our review of his upbeat experimental 4 track EP titled; ‘EP3: Mvr Clsr, which we were treated to earlier this year then you’ll know a bit about him already! However, this album seems like a long time coming with his last solo album dating as far back as 2005 (which kind of feels weird to say now), but this year has felt like a bit of a rebirth for Steve Spacek. As, in spite a few short killer releases such as ‘Follow Me‘ and ‘Boungie‘ to name a few, the two projects his produced this year have laid a marker of his recent direction and sound.

Something which has remained synonymous from his first solo album to this current album, is his ability to create gentle delicate tones in voice with some range. Those vocals are introduced later on into the opening track which builds a beautiful soothing arrangement around his vocals. Deep Inside channels a similar pattern and mood from the last and maintains the same reflective, dreamy feel. As the album reaches the mid-section, stand out track; Ova (ft Oddisee), shifts the rhythm and tempo into another gear, which succinctly carried over to Carnival Nights. I think the transitions between tracks are what really stand out throughout the album, each track seamlessly blend into each other, a perfect winter album to relax and immerse yourself into a cosmic journey.

Listen and support via bandcamp:

NEWS: Forward Thinking London Based DJ/Producer; Footshooter Drops Stunning 6-Track EP

Yam Records have been delivering some brilliant releases this year, they seem to have a knack for picking out great electronic music producers. Adding to their catalog of releases is the Technicolor Nights EP from the very talented DJ/Producer; Barry Whittaker who makes music under the alias; Footshooter. His heavily vibrant percussion throughout are instantly recognizable, and create beautifully rhythmic patterns to work on dancefloors. The kick and drums on the stand out track ‘Rotations’ seem to take inspiration and from RnB, whilst the eerie warm piano synth takes center stage with a progressive looped pattern bubbling with the kick, drums. The dynamic change of pace also stands out. The switch in tempo from the contemplative, and mellowness in the track ‘Telegraph Hill’ to the energetic, 160bpm track; ‘Mars ft And Is Phi’ show off Footshooter’s skill and vision to make the flow of the EP as captivating as each track.

Have a listen for yourself, and support the artist via bandcamp: