DANS DANS Blend Jazz, Psychedelic Blues, Spacey Rock-‘N-Roll

Dans Dans are pleased to share the video for the moody noir rhythms of new single ‘Cinder Bay’. Bass player Fred ‘Lyenn’ Jacques created a homemade video of ink dancing on a pink surface. The ink symbolises expression; it’s used to write or draw, to transfer thoughts and emotions.

As the ink bubbles and fizzes on the music’s frequency, the droplets lead a life of their own or interact with one another, propelled by the music, creating a palpable harmony between the music and its definition. “Cinder Bay evokes water and fire; a pastel sky above a deep sea; a carefree summer’s night at the beach, tinged with sadness and dread,” says Jacques.

Listen to Cinder Bay below.

UK Clubs Could Reopen by June 21st At The Earliest, According To New Government Roadmap

UK nightclubs could reopen earliest June 21st, according to the government’s new Covid-19 roadmap. Clubs, which fall under the final step of Boris Johnson’s four-step plan to easing restrictions, will be among the last spaces to open to the public.

Monday, June 21st is the earliest possible date, though this is subject to review. Each step on the roadmap must be separated by at least five weeks. Also falling under Step 4 are what the roadmap calls “large events,” which includes music festivals.

Whether these return depends on the outcomes of the government’s scientific Events Research Programme, a series of pilot events with large crowds and reduced social distancing scheduled to begin in April. Step 3, which will begin no earlier than May 17th, will allow for “some large events,” with indoor events capped at 1,000 people (or 50 percent of capacity), outdoor events at 4,000 (or 50 percent of capacity) and outdoor seated events at 10,000 (or 25 percent of capacity). “Festival organisers only want to return when it is safe to do so,” said Paul Reed, CEO of the Association Of Independent Festivals, in a statement. “But if the easing of restrictions does lose momentum and events are suddenly cancelled as a result, it is vital that our sector receives swift and targeted government support to compensate.

In addition, government intervention on insurance and VAT remain critical.” The first two steps in the roadmap make no mention of events. Step 1, which begins March 8th, is focussed on schools reopening, while Step 2, scheduled for April 12th, allows for gyms, shops and overnight stays within the UK, among other things.

As for international travel, the roadmap doesn’t commit to any concrete timelines, though May 17th is the earliest it could resume. The roadmap emerges as the number of cases and deaths in the UK has dipped considerably since the third lockdown began. Between February 6th and 12th in England, 1 in 115 people tested positive for Covid-19 compared to the peak of 1 in 50 between January 3rd and 9th. Last week, a new government report found that the UK nightlife industry could face “extinction” without urgent action. Here are the visuals for Step 3 and Step 4.

Discover Ampiano With South African Producer DJ Black Low

South African Ampiano producer, DJ Black Low has releaased a new video for the the track ‘Jaiva Low’, which will be on this forthcoming debut album on the 7th of May through Aweseom Tapes of Africa.

The 11-track album comes at a time when South African electronic music is being fundamentally disrupted. Amapiano, the electronic music movement which first gained popularity with a small, core group of followers, now dominates the mainstream. Well-known and pervasive, amapiano borrows from a diverse palette of musical styles which are popular in South Africa’s largely Black townships- jazz, kwaito, dibacardi, deep and afro house among them. 

Watch ‘Jaiva Low’ below.

Bristol Radio Station Noods Launches Luvers Membership Scheme

Bristol radio station Noods has started a membership scheme.

Taking its name from a legendary Bristol colloquialism, options for Luvers of the station start at £3 per month and will go toward helping grow in the station in the future.

“So far we’ve relied on events, merchandise and crowdfunding from residents to keep things ticking but now we’re asking our listeners for support to help make Noods self-sufficient and grow,” the station said in a statement announcing the scheme.

“From as little as £3 a month, listeners will help bolster the station’s sustainability and as a thank you they’ll receive a 20 per cent discount on the Noods store, early access to events and merchandise plus insider news via a monthly newsletter.”

The station was founded in 2016 and broadcasts online and on DAB 24/7. It boasts 300 residents from Bristol and around the world and is proudly ad-free and independent.

“We’re introducing the scheme to futureproof ourselves and create a more sustainable station,” the Noods crew said.

“We’ve been able to get this far with the support of the community and sales from events and merchandise but to continue growing and meeting demand, we need more team members, better equipment and to be able to create more paid opportunities for creatives. Over the last few years we’ve worked with thousands of artists celebrating alternative music and in doing so we’ve built a community of misfits, dancers, collectors, and selectors dedicated to discovering and sharing music.”

Hit the Noods website here to become an official Noods Luver.

Dutch Government Plans To Allow Festivals From July

Festivals in the Netherlands have started revealing plans for 2021 editions following the Dutch government announcing it aims to allow festivals from July 1, and will insure events planned after this date that are cancelled due to COVID-19.

Last month, a cancellation fund of at least €300 million was announced by the Dutch government to allow event organisers to plan for the second half of 2021 with security that they will be covered if the pandemic stops events going ahead for a second year running.

It covers events that attract a minimum of 3,000 visitors from July 1 through to the end of the year, with Dutch culture minister Ingrid van Engelshoven saying it is not “reasonable” to expect “masses can stand close together on a field” before that time.

She added: “[This fund] is a dot on the horizon for festival organizers. They can fall back on the guarantee fund in which at least €300m has been reserved. The event industry has long come to a standstill due to Corona. Guarantee is needed to get it back on track.”

In a statement on its website, Dutch drum ‘n’ bass festival Liquicity wrote: “Great news: the Dutch government has announced that they aim to allow festivals after July 1st! In case festivals still get canceled due to changing Covid circumstances, organizers are likely to be compensated for the costs. Festivals in The Netherlands are currently selling out in record pace due to this new government announcement.”

Liquicity, which was one of the few festivals in the Netherlands to offer timely refunds during last year’s event cancellations and ‘postponements’ in line with the Save Your Ticket scheme, has also revealed its plans for ticket warranties to ensure buyers are 100% risk free when purchasing for the event.

Dutch festivals that usually take place in the spring or early summer such as Awakenings and DGTL have revealed they are rescheduling to autumn in order to be covered by the cancellation fund.

Awakenings Festival will now take place across September 11 and 12, and tickets are already sold out. Its website notes: “The COVID-19 pandemic is still not over, but things are starting to look a bit brighter, so we now aim for the second weekend of September.”

DGTL Amsterdam has also announced plans to run across September 11 and 12 at the NDSM Docklands. Artists such as Eris Drew, DJ Python, Ricardo Villalobos, Afrodeutsche and more have been booked to play, and the majority of tickets sold out.

Last December Germany announced a similar €2.5 billion event cancellation fund, with UK festivals warning they need similar government support to plan for events to take place this year.

This support has not been forthcoming, leading to Glastonbury announcing its 2021 edition is cancelled later that month.

[Via Mixmag]

Boris Johnson Finally Comments On Plans For Reopening Nightclubs

UK Prime Minister Boris Johnson has finally referenced nightclubs while discussing the safe reopening of businesses during a press conference at 10 Downing Street.

He said that rapid lateral flow testing could be used for the reopening of businesses that have been the “toughest nuts to crack, as it were, such as nightclubs … those parts of the economy we couldn’t get open last year.”

Johnson said that while mass vaccination is the overall aim for safely reopening the country, with every adult in the UK hoped to be vaccinated by autumn, that rapid testing used in combination with vaccination will be likely for nightlife.

However, he added: “I want to stress to everybody, it is still early days and there are lots of discussions still to be had.”

A government source also said to the BBC: “There is a long way to go before we can get people back at big events safely.”

Michael Kill, CEO of the Night Time Industries Association (NTIA), told the BBC that employing rapid testing upon entrance would not be straightforward for venues, requiring swab tests outside and a 15 minute wait to get a negative result before being admitted inside. This means venues will have to employ staggered admissions and plan for what to do if they find positive cases in the queue.

rapid testing music event in Barcelona in December was hailed a success, producing no COVID infections afterwards.

In New York, governor Andrew Cuomo announced the state will allow large venues to reopen with reduced capacity and safety measures in place from next week after hailing an NFL stadium testing pilot as an “unparalleled success”.

Critics of lateral flow testing have warned that the test can often produce false negative readings.

Results from Public Health England have indicated that the test has an overall sensitivity of 76.8%, meaning that just under a quarter of results were false negatives, and that the sensitivity dropped even further to 57.5% when the test was administered by self-trained staff at track and trace centres. More positively, the results also found that the lateral flow test detects more than 95% of individuals with high viral loads.

Johnson is due to announce the government’s ‘roadmap’ for easing lockdown restrictions and safely reopening businesses in the UK next Monday, February 22.

Although Johnson said there are no plans to use ‘vaccine passports’ for visiting nightlife venues such as pubs and clubs, he suggested this will be likely for foreign travel, saying: “I think inevitably there will be great interest in ideas like can you show that you had a vaccination against COVID in the way that you sometimes have to show you have had a vaccination against yellow fever or other diseases in order to travel somewhere. … I think that is going to be very much in the mix down the road, I think that is going to happen.”

Nightclubs have been closed in the UK since the first lockdown was announced in March 2020.

Not being able to to open for close to a year has had a disastrous effect on the finances in the industry, with the NTIA recently warning that 81% of UK nightclubs will not survive beyond this month without government support.

Johnson finally referencing nightclubs has been welcomed by some nightlife industry leaders who have been calling for government support and action through the pandemic.

Sacha Lord, Night Time Economy Adviser for Greater Manchester, wrote on Twitter: “Can someone pinch me please…. Tonight, after 11 months…The Prime Minister has finally uttered the word we have been waiting for: “Nightclub.”

Watch Boris Johnson’s on rapid testing in the press conference below around the 47:58 mark.

Radio: Inspired Sound w/ Busty and the Bass

Welcome back to the Inspired Sound show, hosted by, Kofi Yeboah. For this show, we’ll be showing recent releases from some brilliantly talented independent artists from the UK. Listen out for music from, Eerf Evil, Intalekt, TINYMAN, Kofi Stone, Wesley Joseph, and Cody Currie, plus much more!

Listen back the show below.

Tracklist
Jneiro Jarel – Sunwalkers Pt2, 3 (Ft Bill Summers)
Dreams – (Eerf Evil, Srigala, Kofi Stone)
Natural Force – Buscrates 16 Bit Ensemble
Feel It – Ayeisha Raquel, TINYMAN, R-Kay, Intalekt
Greentea peng – Silly
Closer To You – Ruti
2 – Mom Tudie and Byulah
Crave Love – Cecline and the Blue
Jeen Bassa – Discotheque
Be Free – Emmaculate Shannon Chambers Extended Mix)
Pyjean – Gold Plated (ft Odette Peters)
Spiralling Prism – Herbie Hancock
The Witching Hour – Psychic Mirrors
Radiant Children – Rare
Wesley Joseph – Ghostin
Moesh – Lex Amor, DIPS, Lo-Wu
Cody Currie – When The time Is Right
Busty and the Bass – Out So Far

APPLE MUSIC LAUNCHES PLATFORM FOR AFRICAN DANCE MUSIC, ISGUBHU

Apple Music has launched a new platform called Isgubhu, which it’s calling “the ultimate destination for African Dance and Electronic music.”

Stephen Campbell, Apple Music’s Global Head of Dance and Electronic music, said: “Apple Music has been a long term supporter of the incredible DJs, artists and producers within the Dance and Electronic music community in Africa and we’re very excited about the launch of Isgubhu. Our regional teams are true advocates for the culture and we’re committed to continuing to connect artists to a global audience.”

Isgubhu, a Zulu word that translates as ‘beat’, will host a selection of playlists covering multiple genres and scene spotlights, as well as having a section dedicated to seminal albums from the history of dance and electronic music from the continent.

Subgenres which will there include gqom, amapiano, kwaito, mzansi house, deep house and Shangaan electro, while ‘Spotlight On:’ playlists will focus on African labels such as Soul Candi, House Afrika, Stay True Sounds and Uganda’s Hakuna Kulala & Nyege Nyege Tapes.

The first cover star of the platform is Black Coffee, who has started curating the Isgubhu Voices playfist, which features a span of electronic music with vocals.

Black Coffee said: “It’s a true honour to be titled as the very first Isgubhu hero artist by my friends at Apple Music. To me, home is everything… the absolute core of my being. Bringing the sounds of South Africa to the world is a life-long mission I’ll never stop chasing after.”

Check out Isgubhu on Apple Music here.

Former R&S employee Raji Rags Sues Label and CEO Renaat Vandepapeliere For Unlawful Dismissal and Racial Discrimination

Content warning: This story contains imagery and mentions of anti-Semitism, Nazism and Adolf Hitler. Former R&S Records employee Raj Chaudhuri, AKA Raji Rags, has filed a case with the UK employment tribunal against the label and its CEO and cofounder, Renaat Vandepapeliere.

Chaudhuri, who handled A&R for the label on a freelance basis, worked at R&S Records Limited between May 2019 and September 2020. He spent the first 13 months on a rolling monthly retainer, before agreeing to a one-year deal in July 2020. Three months into the new deal, on September 29th, he claims he was unlawfully dismissed by Vandepapeliere.

Two weeks after the alleged dismissal, on October 14th, Chaudhuri issued a statement via social media explaining his departure. “I am not comfortable with working with Renaat Vandepapeliere and putting energy into a company that doesn’t support Black and women artists sufficiently,” he wrote. Chaudhuri has since decided to take the matter further, filing a Particulars Of Claim with the UK employment tribunal on January 21st, 2021.

Resident Advisor and the BBC have seen this 40-page document. In the document, Chaudhuri presents a detailed account of his time at R&S. In addition to the claim of unlawful dismissal, he details multiple instances of alleged “discrimination, harassment, victimisation and post-employment victimisation” involving Vandepapeliere, who has run the label since 1983.

Many of his claims are supported by screenshots of emails or text messages from/to Vandepapeliere. All of the quotes in this article are from the Particulars Of Claim filed with the tribunal unless otherwise stated. Vandepapeliere was offered the opportunity to respond to all of these allegations by RA.

The following statement was made in response to these allegations on behalf of Vandepapeliere and R&S Records Limited:

We have not had an opportunity to prepare our case yet, as the claim has not even been served on us, but given the negative and premature publicity, we feel we have no option but to respond. Mr. Chaudhuri has been reported to the police which we believe will fall under extortion and blackmail under the Theft Act 1968. On the 29th September, he emailed Mr Renaat Vandepapeliere saying that he would “destroy” him publicly unless he was paid £10,000 for potential future work that never happened.

Mr. Chaudhuri was a freelancer who became disgruntled and was fired due to reasons that would fall under gross misconduct if he had been an employee. Mr. Chaudhuri has submitted a tribunal case which in its own right proves nothing. We believe Mr Chaudhuri has done this in order to attack Mr Renaat Vandepapeliere in an attempt to sway him away from other legal proceedings and cause the malicious damage that he threatened unless Mr Renaat Vandepapeliere gave into his monetary demands.

Mr Renaat Vandepapeliere is certainly not racist and everyone at R&S Records embraces equality. We are currently taking our own advice on separately pursuing a defamation claim in respect of these spurious, untruthful and damaging allegations. There is simply no truth in anything he says or the allegations that Mr Chaudhuri has made. We have no intention of litigating this in the press and have every confidence that justice will prevail.

In the claim, Chaudhuri repeatedly accuses Vandepapeliere of racism and sexism. He says he set out to diversify the label’s output by trying to sign more Black and women artists. (A source close to R&S said the label had only signed one major woman artist, Paula Temple, in its 38-year history.) Every new artist had to be signed off by Vandepapeliere. Chaudhuri says he found it difficult to win Vandepapeliere’s approval for Black and women artists.

His first signings, allegedly secured while his boss was taking some time out from the label, featured non-white artists from Ghana, Pakistan, Portugal and Democratic Republic Of Congo. Chaudhuri says Vandepapeliere didn’t like the music, calling it “meaningless.” Chaudhuri says he also felt a growing concern about his boss’s conduct towards women. For example, in November 2019 Vandepapeliere allegedly sent Chaudhuri an Instagram post asking him to rate three topless women.

In the wake of George Floyd’s death in May 2020, Vandepapeliere allegedly wanted to post a black square on the label’s social media platforms in solidarity with the Black Lives Matter protests—a gesture that Chaudhuri felt was insufficient. When Chaudhuri tried to explain to Vandepapeliere that house and techno, the two genres underpinning R&S’s success, “came from black culture,” Vandepapeliere allegedly replied with, “Wauw – step too far for me. Techno is very white, go to the history of electronic music.”

A few weeks later, anti-Semitic posts from 2015 and 2016 resurfaced online from the Facebook account of Colombian artist Santiago Niño Rodriguez, AKA Hermetics, who released the Technosis EP on R&S in 2018. The posts included a photo of Adolf Hitler, a YouTube video titled “Adolf Hitler vs The Jew World Order” and the words, in Spanish, “No hubo Holocausto” (“There was no Holocaust”) written by Rodriguez.

Vandepapeliere signed Rodriguez to R&S in 2018. When the posts resurfaced, Chaudhuri says he urged Vandepapeliere to “completely cut off ties with him,” including removing all his music from the R&S back catalogue. Vandepapeliere allegedly emailed Rodriguez to say “don’t post anything” but refused to take any further action. “Really remove his track… No way,” he wrote. “Inform the kid of danger – yes.” Chaudhuri responded with, “He’s not a kid. He’s a fully grown man who agrees with Hitler.”

In a subsequent email to Chaudhuri, Vandepapeliere allegedly called Rodriguez’s posts a “mistake” and told Chaudhuri to “never judge people from a distance mate.” Rodriguez’s music on R&S remains on sale. The disagreement continued in a separate email chain, with the subject line “Got a question,” which started with an email sent to Chaudhuri by Vandepapeliere on June 3rd, 2020. “What about India… SLAVERY is there full on,” he wrote. “Africa – black murdering each other.” Chaudhuri replied, “I don’t like slavery. I don’t like black on black violence.

I also don’t like anti-Semitism and Nazis.” Chaudhuri says he felt their working relationship grew “very strained” from there. The series of events that Chaudhuri believes led up to his alleged unlawful dismissal began in early July 2020. Vandepapeliere agreed to let Chaudhuri launch a run of six 12-inches, plus a compilation, featuring the music of his choice. Vandepapeliere allegedly didn’t want the records to come out on the main R&S label, but as a series, similar to RV Trax.

Emails in the Particulars Of Claim seen by RA show that Chaudhuri and Vandepapeliere agreed that Chaudhuri would be paid £1,000 per month for 12 months for this project, plus a share of the profits on all seven records. This new deal would replace his previous freelance agreement. Chaudhuri says he asked for a formal written contract for the new work agreement, but Vandepapeliere allegedly said “you got my mail” and he was “a man of his word.”

No written contract was drawn up. In September 2020, the month in which Chaudhuri alleges he was unlawfully dismissed, the Los Angeles-based artist Eddington Again, who is Black and has released on R&S, shared screenshots of emails with Vandepapeliere in which he had challenged the R&S boss on the lack of Black and women artists on the label.

In reference to a new artist he was hoping to sign, Vandepapeliere replied saying, “I hope I have now found a full pure breed black artist that I can spend my life with in full focus.” Again’s post went viral, which led to many fans, artists and industry players calling on Vandepapeliere to apologise for his language.

In emails sent to Chaudhuri and others on September 27th, Vandepapeliere initially refused to apologise, claiming that “pure breed” was a Flemish metaphor lost in translation. This led to several artists, including Lone and Special Request, releasing public statements condemning Vandepapeliere’s choice of language.

On September 28th, Chaudhuri and Vandepapeliere exchanged text messages. One of these, sent by Chaudhuri, suggested that Vandepapeliere “step down” from his “responsibilities” and work “creatively behind the scenes.” Vandepapeliere replied saying Chaudhuri had “crossed the line” and that “R&S goes my way.”

The following day, September 29th, Vandepapeliere allegedly dismissed Chaudhuri with immediate effect and no prior warning. “I cannot work longer without a strong team standing for the company,” he wrote. “I was devastated to lose my job,” Chaudhuri says. “It was particularly galling to be fired for doing the right thing and trying to get him to do the right thing.

I was also on the brink of bringing newfound success and credibility to the label on the back of the diversified artists I was in the process of signing.” Chaudhuri, feeling he had been unlawfully dismissed, wrote to Vandepapeliere asking to be financially compensated for ten months’ worth of lost wages. He also threatened to publish an open letter disclosing Vandepapeliere’s “discriminatory conduct” if he wasn’t paid the money. Subsequently, only one month’s wages were transferred.

A week later, Chaudhuri, who was now unemployed, was offered work at a well-known music company. (Chaudhuri requested the company remain unnamed.) A job offer was on the table but allegedly later rescinded. Chaudhuri alleges that Vandepapeliere sent the head of the music company a statement, published via Iconic Underground Magazine on November 12th.

In the statement, he said relations with “a former company consultant” had been “terminated” after “his threat to issue an open letter to the media.” Chaudhuri disputes this sequence of events, claiming he was dismissed before making the alleged threat.

Vandepapeliere will shortly be served with the Particulars of Claim by the employment tribunal, as is the ordinary procedure in such a case. However, they have been served on him privately already. A date has yet to be set for the tribunal hearing, which will take place in London.

Have You Met.. Tee Peters

Young musician from South east london, Tee Peters self- released his debut project, Seasons Volume One last month. The first three singles from the project, Seasons, Numeracy & Breath of the Wild premiered on BBC Introducing, titled as ‘Track of The Week’ & has since been featured on Spotify’s ‘Conscious’ and ‘dazed’. Tee Peters took some time to join our Q&A series:

Where did you grow up, how did you get into creating music?

I grew up in South East London & I started making beats when we got a computer that had a software called Reason installed so I would play around on that. My uncle had a lot of video games and a few were only in Japanese so I spent days learning how to play and do things without understanding what was happening through language.

I would just figure things out through seeing what worked at the time. Same goes for my music process back then & even today – I just played around on my computer and figured out what I liked. As I grew up I started writing lyrics, I loved UK Rap & Grime, RNB & early 2000s – late 90s Hip Hop so I just found myself trying to mimic styles like that until I started to develop my own sound. My first lyrics, I would make songs rapping as Anime Characters… but we can talk about that another time haha

How did you meet your producer, Mensing, so create your first EP

I found Mensing on Soundcloud somehow. He had a different name at the time and there were two beats and probably only 2 followers. I loved what he was producing and so I reached out. We made a song using the beat I liked which I plan to release sometime in the future – it’s been 2 years and it’s still one of our favourite songs. When I found out he was in Germany we kept talking online, I invited him to a collective I make some of my music with called FUNCC & he just started soaring with his beats – getting on all the chill, lofi playlists and things.

He’s the guy you listen to when you need to study. With my background in listening to Soulful Hip Hop, grime and Jazz we started making our own sound that showcased that. In the intro song to Seasons Vol.1, No Rest was written while I was inspired by Grime and Drill music , the original title was Game Of Thrones and you can really hear from the chorus “this ain’t no Game of Thrones, You can’t mess with a Lord at Home” I’m that I was really coming with energy. Mensing’s style really gave it (& the whole project) a different feel through – a medium point of being music you can chill to but if you want to listen to the lyrics you’re getting energy and meaning.

Why do you think you work well together?

Like I said it’s that contrast of styles and our common interest to make a positive vibe. There isn’t a Tee Peters & Mensing song that doesn’t try to awaken your conscious – whether that state is “I need to get focused” or “I need to think about my actions” you can’t deny that the music brings positive vibes. Also we talk all the time, keeping each other inspired with new music and supporting out next endeavours. I’m going to be working on my other projects this year and so is he but even that is fuelling our next link up

Are you working independently to release your music? If so, what are some of the challenges?

Working Szn is my own independent platform for my music, I got a label which I’m building with my bro D’larm and it’s just me and my music friends making music, paying each other for the work and enjoying the fruits. Challenges would be convincing ourselves that we’re really doing it right. I’ve always been a DIY human before I was ever an artist and so I like to find ways of making things happen.

I always have discussions with my friends and collaborators about whether we should send our music to labels and stuff and it’s usually me that needs convincing to do it. I’m aware that having some extra support sometimes is very helpful and it’s nice to exchange value though. That’s why I have a few of my bangers released via indie labels and things but ultimately I’m learning to find a balance between self belief and tactical collaborations.

If you weren’t making music, what do you think you would be doing?

Up until Last Year I was aiming to do videography and Marketing. I love creating content and I do enjoy delivering it to people (most of the time) so it was a good route to go down.

Although, I will say Music is just one of my efforts and I still edit and market all the time so does that even count? I think it’s best to say I’d just be trying to exist for myself. I don’t like being tied down to things that don’t develop or provide adventure so I’d just find another means to avoid that.

Do you play any instruments, if not, which would you love to learn first?

I started with Guitar, Piano and Drums when I was younger. I didn’t get far with the lessons though. Been playing around with my guitar recently and trying to play some chords

Do you have advice for anyone releasing music independently?

I keep a post-it note on my wall saying “Do it Now” because any idea you have, you will face resistance. Something will tell you to wait for something like a label or a manager when you don’t even know if that’s ever going to happen. Forget about the things you don’t have control over.

If you’re an artist and you feel like your job is to release music, then just do it. Do the research, upskill yourself to be the label/manager that you don’t if you’ll ever receive support from and do it.

Which artist would you love to collaborate with most?

I really want a song with Jay Prince. He has one of my favourite albums ever and I feel like if we were to fuse resources we would make a gem! I’m speaking this into existence because as I write this, I’m thinking about what a sick network of producers I have, and all of the songs that are going to be coming out…

I just feel that there will be a time where people will be asking for this collab – which is funny because I will have been the one who wanted it the most haha.

In a hypothetical world, if you were performing at any festival this summer, what would that be and why?

Lovebox, Soulection’s festival or Wireless. Those were my first ever shows full stop. I got to experience live music for the first time at these places so I think any of these places would be a full circle moment

How would you describe your new EP in three words?


Chill, Conscious & Jazzy. This is a project for when you’re ready to transition from one negative season of life to a more positive one.

So if you’re ready to jump on the #WorkingSzn journey that I’m on and cut out all your distractions for the betterment of your relationships, work ethic and health, then this project is for you. It’s a soundtrack and a PSA 🙂

Listen to Season Vol 1. below.