The artist-curated mix series, Late Night Tales, is pleased to announce its next compilation, this time curated by multi-instrumentalist, vocalist and producer Jordan Rakei.
For Rakei’s Late Night Tales, the first mix of the acclaimed series’ 20th year, the 28-year-old modern soul icon effortlessly stamps his own jazz and hip-hop driven sound all over this gorgeous array of handpicked tracks.
A beautifully layered blend that is mirrored in the music he’s made, it comes as no surprise that such a supremely gifted songwriter should deliver a mix that is all about the song.
“I wanted to try and showcase as many people as I knew on this mix,” says Rakei. “My idea of Late Night Tales was to distil a series of relaxing moments; the whole conceptual sonic of relaxation. So, I was trying to think of all the collaborators and friends that I knew, who’d recorded stuff with this horizontal vibe.
Plus, I was also trying to help my friends’ stuff get into the world. I know the story of Khruangbin blowing up after appearing on the series (in fact, I think that’s how I discovered them). So, the main idea was to create a certain atmosphere, but also to help some of my favourite collaborators and buddies to give their songs a little push out into the world. Hope you like it.”
Following the release of their album, Freedom Fables, a 9-piece afro-jazz group, Nubiyan Twist joined us on the radio show to discuss the album, and their journey. Now, it wasn’t all nine members of the group (the show would be way over an hour and a half) but we spoke with Pilo and Joe.
Anz is launching a label. Short for “otras mitades,” which means “other halves” in Spanish, OTMI will house some of the UK artist’s unpublished works and contributions from friends across the electronic music spectrum.
The first release, OTMI001, lands April 9th and will be available digitally and on vinyl. “I’ve always loved—’mi otra mitad de naranja,’ or ‘the other half of my orange,’ a way of describing a soulmate,” Anz wrote in an email. OTMI001 will be Anz’s first EP since last year’s RA-Recommended Loos And Twos on Hessle Audio.
Read more about that record and more in our recent Breaking Through feature with Anz.
Ministry of Sound has announced six weeks of reopening parties.The series will kick off on June 25, running from 10pm to 6am every Friday and Saturday through to July 31.
On Instagram, Ministry of Sound wrote: “our opening six weeks of parties will celebrate the sounds of the UK with an extra emphasis on homegrown superstars.”
Its website adds: “We’ve come a long, long way together, and we can finally see the light at the end of the tunnel. Dust off your raving shoes, call your friends, cancel your Zoom subscription and let’s never speak of quizzes, banana bread or Joe Wicks ever again. It’s Summer 2021 and it’s time for a FUCKING PARTY.
“Line ups are being finalised as we speak and we’ll update you as soon as we can. For the moment all you need to know is: Friday 25th and Saturday 26th June, 10PM – 6AM, bring your crew, we’ll do the rest. Let’s have it!”
Any ticket purchases will be eligible for a full refund or transferable to a later date if there is any delay on the government’s roadmap to easing lockdown restrictions which means the event cannot go ahead as unplanned.
Earlier this month Printworks announced plans to go “back to basics” for three reopening parties on September 17, 18 and 19, which will be “a pure celebration of club culture” with no line-ups announced in advance and a rule of no social media, no cameras and no distractions.
Read our guide to what nightclubs are opening here.
A longtime staple of the New York house scene, DJ Carlos Sanchez, has passed away. The news comes three years after the likes of Francois K, DJ Spinna and Soul Clap played a fundraiser event to cover the medical expenses of Sanchez, who had been diagnosed with kidney failure in 2018.
Sanchez produced under his given name and the Carlos Sanchez Movement, and released the bulk of his music via New York-based house label Maxi Records. He also worked as a professor at Pace University, where he taught a World Music & The Underground course. Sanchez additionally played a pivotal role in the underground dance music community as a promoter, and heavily influenced the programming at New York clubs Leviticus and Save The Robots.
Gyakie has just released a bubbly remix to her chart-topping single ‘Forever‘ in collaboration with Naija’s next rated superstar, Omah Lay.
With this remix featuring Omah Lay, Gyakie will continue her valiant strides while using this motherland association to further solidify her status as the next takeover star from Africa whose eyes are set beyond the Atlantic embankment.
Romford based alternative RnB artist KeepVibesNear. Having turned heads with his haunting single ‘What U Need’ (which was included on the incredible The Silhouettes Project record), KVN now readies his touching new single ‘Gently’.
‘Gently’ sees melancholic wurlitzer notes reverberate across a cold sonic landscape, beautifully accompanied by KVN’s tender tones, channeling a wintery tale about reconciliation.
KVN explains : ‘Gently as a song represents the build up in an argument with your other half. That moment at the end of an argument when you give in to your care for the other person. You take a breath, put aside your ego. The turmoil in the verses compared to the make up in the chorus represent the balance in compromise.’
Having recently revealed his stellar new project NEW DREAM to acclaim from Rap Caviar, CLASH, Wonderland, DJ-Booth, DUMMY, Fashionably Early and gained plaudits from fellow Norfolk, Virginia raised artist Pusha T, Al-Doms continues to keep the heat up with a visually stunning video for EP lead track Rat Race.
Directed by Aaron Dee, the video serves as a stellar visual accompaniment to a body of work which looks set to put Al-Doms on the radar for 2021 and beyond.
Los Angeles-based artist Rochelle Jordan announces her new album,Play With theChanges, out April 30th on TOKiMONSTA’s Young Art Records, and today presents new single,“NEXT 2 YOU.” For Jordan, a desire for sonic expansion has long beenembedded into her fusion of futuristic and ancestrally soulful R&B.
To hear a Rochelle Jordan song is to absorb a blend of sampledelic 90s pop, vintage UK house and garage, 31st century electronic bangers, airy late night ballads, and progressive hip-hop. On Play With the Changes, Jordan showcases not just her own personal evolution, but a path topushing sound forward.
Produced by KLSH,Machinedrum, and Jimmy Edgar, the album presents her as a modern heir in a lineage of powerhouse vocalists with style and imagination: everyone from Whitney Houston to Celine Dion, Aaliyah to Amerie, Kelis to Mariah Carey.